Last Dogs Hung, oil on canvas, 34"x48", Steven Rhude
                          Intervention

Argyle Fine Art, Halifax, September 14th to October 2nd

Opening: Friday, September 14th - 7pm. 
1559 Barrington Street, Halifax. tel. 902.425.9456 



Resistance - Last Dogs Hung

Contemporary Realist Painting continues to evolve largely outside of the mainstream establishment. Although championed by independent artists and galleries, a new generation of Realist painters have been largely ignored by an artistic management intent on blurring the
boundary between art and life - what T.S. Elliot referred to as “the dissociation of sensibility”. Today (with a few exceptions), humanism and emotion combined with the innovation required to carry out the creation of a Realist painting, have generally been overlooked. Possibly because of an art establishment more concerned with their own shifting hagiography and the elevation of spectacle.

As a painter, I have noted in the past that concerns exist in today's post art culture, and that globally, museum elites have established a gulf between the patron and the art exhibited. The patron becoming a disinterested third party, understandably fatigued with essential reading before approaching a work of establishment art. In this world, Realist painters can only sow the seeds. How well they grow depends on the environment and receptivity of the ground available.

Notwithstanding this, Realism continues to purvey qualities of beauty, skill, concept, emotion, and place, that are directly engaging and relevant for the viewer in a post art world. In general, the mature principles of Realist painting have endured for over six hundred years while other movements mutate for survival. If one were to assess the larger historical picture to date, Realist painters would easily be considered one of the ‘last dogs hung.’


Steven Rhude, Wolfville, NS.


To inquire about work contact: gallery@argylefa.com or 902.425.9456



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Buoy at Black Point Road, oil on  board, 18"x24", Steven Rhude

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