Following the paint - intermediate states.

"That's why I feel strongly about a lot of so called realism today which I think I've had a very bad influence on. They think it's the amount of detail and that really isn't it. Yes, a detail should be there and it should be carried far, but the picture's got to be bigger than that. Otherwise it doesn't hang together and it doesn't give you the force of the thing. It's got to be abstracted through your vision, your mind. It's a process of going through detail in order eventually to obtain simplification and cutting out...." - Andrew Wyeth


Oil on canvas, in progress



oil on etched copper plate, in progress





oil on etched copper plate, in progress





oil on etched copper plate, in progress


Steven Rhude, Wolfville, NS.

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